My photographs are the world the way I remember it — not always how it looked in the moment.
For me, color is tied to memory: a feeling more than a fact. I usually wait days or even weeks before editing, letting the memory of the scene settle so it can guide the final image.

What interests me most is translating perception. Every color, every shift in light carries an emotion, and that emotion becomes the foundation of the image. My work follows that inner response more than any literal representation.

I don’t document reality. I express my own experience of it — the atmosphere, the emotion, the resonance that stayed with me long after I walked away.

And if someone looking at my work feels a trace of that inner landscape, even quietly, then the photograph has done what it was meant to do.